with the Rock N’ Roll Comedy of Don Jamieson and Them Evils
FEBRUARY 12TH | The Cowan @ Topgolf Nashville
Tickets on sale Friday, October 19 at 10am.
ABOUT THE SHOW:
Leigh Kakaty – vocals
Dave Grahs – rhythm guitar, backing vocals
Nick Fuelling – lead guitar, backing vocals
Matt DiRito – bass, backing vocals
Hayley Cramer - drums
When North Muskegon, Michigan native Leigh Kakaty formed Pop Evil, he chose the band’s name for a reason. He loved hard rock songs with good melodies but he also dug loud, crunchy guitars and propulsive metal rhythms. For Kakaty, it’s a natural duality that came from growing up in the Great Lakes and it eventually became the raison d'etre of his band.
“It’s just a natural part of who I am,” Kakaty says. “When I was growing up we’d roll out to the beach on the weekdays with an acoustic guitar and everyone would kick it. And on the weekends, we’d turn up the amps and, boom, everyone would try to break windows. It was all about the heaviness. And I needed both of those elements – the melodic and the metallic.”
Five albums into Pop Evil’s career, combining strong hooks with knockout punches is more important than ever. The band’s new record, simply called Pop Evil, is a surging, contemporary sounding release that incorporates metal, alternative, hard rock and even electronic music. In the wake of the band’s peppy, upbeat 2015 album Up, it’s a wake-up call, a musical rebirth that inspired the band to self-title the release, partially since they’d never done so. Their first album, Lipstick on the Mirror came out in 2008, and while it introduced listeners to the band’s core sound with well-received singles like "Hero" and "100 in a 55," Pop Evil has grown exponentially since then.
Pop Evil captures Kakaty and his bandmates – rhythm guitarist Dave Grahs, lead guitarist Nick Fuelling, bassist Matt DiRito and drummer Hayley Cramer – at their most inspiring. Every song on the album offers a different spin on the concept behind the band’s name and in an era when many rock bands create a few strong singles, and six or seven less memorable songs and call it an album, Pop Evil is all killer, no filler – the best 11 songs culled from 30 demos.
After some soul searching, their management team brought a few ideas forward, one being a female drummer and the band members decided that it could be a terrific idea to work with a female drummer in order to give the band a new perspective that wasn’t solely motivated by testosterone.
With Cramer’s help, Pop Evil wrote a batch of new songs in their practice space before they started demoing. In addition to making sure the album was heavier than Up , they wanted the time to create the album they wanted to make. While they had been forced to rush through past albums in three or four months so they could return to the road (the band had averaged 200 live concerts a year over the last ten years), they dedicated a full year to completing Pop Evil.
“When you’ve got a bunch of material to work with, weeding that all out takes time,” Kakaty says. “We’d wind up going with things we didn’t know if we were completely sure was right for the album and then I’d have to put lyrics on and if I didn’t totally believe in something it was hard to put my heart and soul into the vocals. So finally, for the first time ever, the record company/management agreed to give us the time needed to make the record and we worked really hard this time to try out everything and really use the best of the best.”
Looking back at Pop Evil, Kakaty is thrilled that it came out exactly how the band wanted it to. The experimental parts give the album a cutting edge sound and the melodic passages – whether they comprise the crux of the chorus, verse or both – are undeniably memorable. At the same time, the band didn’t compromise when it came to delivering powerhouse metal riffs and emotionally expressive vocal lines.
“With every album, we’ve been able to branch off a little and do more of what we wanted to do,” Kakaty says.“...we really feel like we finally got all the pieces together and created this monster of an album. It’s everything we talked about and strived for and we can’t wait to go out and really show people who we are.”
Pop Evil’s self-titled album is out now: https://smarturl.it/PEV.
Learn more at www.popevil.com.
- Event admission does not include golf
- Please consider taking a Lyft: less time spent parking means more time dancing
- Will Call tickets are only available day of show, at the time doors open. No advance pickup is available.
- Any guest under 16 – or under 18 after 9pm – must always be supervised by a guest over 21.